介绍：未来几十年内，人类探索利用太空的程度不断加深2040年，利用空间扭曲技术深入宇宙的“新领域号”消失于海王星附近。2047年，新领域号突然在海王星发回讯号，内容似乎为求救，于是当年设计新领域号的威尔博士受命乘坐营救船“路易与克拉克”号前去施救。船长米勒不甚友好，所幸路易与克拉克号很快按计划与新领域号对接。虽然生命扫描显示新领域号充满生命迹象，但搜…

介绍：吉姆（克里斯·普拉特 Chris Pratt 饰）是阿瓦隆号飞船上的一位工薪阶层旅客，在飞船前往太空殖民地家园2号的120年旅途中，因一次意外，他从冷冻睡眠中醒来发现自己有可能要在这艘巨船上独自度过89年，吉姆试着重新入睡，但最终只能在安置了5000个同行人员的睡眠舱中孤独生活，处于自杀边缘的吉姆绝望中孤注一掷，于是，他唤醒了一名女乘客奥罗拉（詹妮弗·劳伦斯 Jennifer Lawrence 饰），两人在相处的期间产生了爱情的火花。而当飞船的操作系统瘫痪，这对情侣面临着更大的问题，生命受到威胁的不仅仅是他们自己，也包括同行的旅伴，和航行本身。

介绍：双腿受伤的尼克（布伦顿·思韦茨 Brenton Thwaites 饰）和女友海莉（奥莉维娅·库克 Olivia Cooke 饰）以及好哥们约拿（伯乌·内普 Beau Knapp 饰）正在进行一段喜乐参半的漫长旅行在此之前，就读于麻省理工的他一直和约拿在追...

介绍：在并不遥远的未来，地球上温暖不在，寒冷统治者世界的每一个角落幸存的人类纷纷躲入各个掩体内。起初他们欢乐祥和，但随着食物短缺和致命流感造成的大规模死亡，情况发生根本改变。幸存者小心翼翼提取植物的种子以备不时之需，与此同时还要提防来自同类的伤害。在第七号站，负责人布里格斯（劳伦斯·菲什伯恩 Laurence Fishburne 饰）与小人物山姆（凯文·席格斯 Kevin Zegers 饰）各自艰难应付着难熬的每一天。某日，七号站偶然收到来自五号站发来的求救信息，为了一探究竟，并且寻找可以回收利用的设备，布里格斯决定带领小队出发，而山姆亦随队前行。遮天蔽日的狂风暴雪，在久已不见太阳的惨败大地上，难以预料的危险在等待着他们……

介绍：　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.